<?xml version="1.0" encoding="UTF-8"?><rss version="0.92">
<channel>
	<title>ALANS&#039;s notes</title>
	<link>http://www.alansnotes.co.uk</link>
	<description>Books, reviews, notes and more</description>
	<lastBuildDate>Tue, 01 Jan 2008 12:46:12 +0000</lastBuildDate>
	<docs>http://backend.userland.com/rss092</docs>
	<language>en</language>
	<!-- generator="WordPress/3.0.1" -->

	<item>
		<title>Book Review: Sylvia Eckersley. Number &amp; Geometry in Shakespeare&#8217;s Macbeth</title>
		<description><![CDATA[Sylvia Eckersley, ed. Alan Thewless. Number and Geometry in Shakespeare’s Macbeth: the Flower and the Serpent. 7 appendices. Numbered First-Folio text of Macbeth. 8 plates. 43 figs. 346 pp. Floris Books. Edinburgh 2007. ISBN 978-086315-592-5. R.r.p. £20. The post-boxes in &#8230; <a href="http://www.alansnotes.co.uk/?p=24">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://www.alansnotes.co.uk/?p=24</link>
			</item>
	<item>
		<title>Shakespeare</title>
		<description><![CDATA[First, there is an increasing awareness of the authorship question, and second, abundant cumulative evidence to suggest who held the pen. What did Steiner actually say? Did he leave a clue, to be read when the time was right? This &#8230; <a href="http://www.alansnotes.co.uk/?p=22">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://www.alansnotes.co.uk/?p=22</link>
			</item>
	<item>
		<title>Reviews</title>
		<description><![CDATA[Reviews on my translations of and commentaries on Steiner&#8217;s two basic texts for eurythmists. > Download PDF: Reviews ]]></description>
		<link>http://www.alansnotes.co.uk/?p=21</link>
			</item>
	<item>
		<title>The Philosophy of Freedom</title>
		<description><![CDATA[The seven-sentence rhythm of love in R. Steiner&#8217;s &#8220;The Philosophy of Freedom&#8221;. Actually, it is there in all his basic written work, and there are no doubt several other rhythms. These observations of the author&#8217;s exact artistic technique, to me &#8230; <a href="http://www.alansnotes.co.uk/?p=20">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://www.alansnotes.co.uk/?p=20</link>
			</item>
	<item>
		<title>One for one</title>
		<description><![CDATA[A look at what this journalistic slogan—accusing eurythmy of being an illustrative art—can teach us. > Download PDF: One for one ]]></description>
		<link>http://www.alansnotes.co.uk/?p=18</link>
			</item>
	<item>
		<title>Kolben &amp; answer</title>
		<description><![CDATA[Robert Kolben is intolerant of my interpretations. But, I think, he chooses to misunderstand. Don&#8217;t miss his exemplary analysis of Chopin&#8217;s Preludes, included here. > Download PDF: Kolben &#038; answer ]]></description>
		<link>http://www.alansnotes.co.uk/?p=17</link>
			</item>
	<item>
		<title>Chopin</title>
		<description><![CDATA[Chopin&#8217;s Preludes, which celebrate the musical system (circle of fifths) as a spiritual path. > Download PDF: Chopin]]></description>
		<link>http://www.alansnotes.co.uk/?p=16</link>
			</item>
	<item>
		<title></title>
		<description><![CDATA[My letter to the Editor about both the misunderstanding on both the angle-gestures and my Chopin discoveries. I had another go at the angle-gestures (tones). > Download PDF: Readers Letter – Angle-gestures revisited]]></description>
		<link>http://www.alansnotes.co.uk/?p=14</link>
			</item>
	<item>
		<title>The Angle-Gestures</title>
		<description><![CDATA[Further discussion from the Section Newsletter. > Download PDF: Angle Gestures]]></description>
		<link>http://www.alansnotes.co.uk/?p=13</link>
			</item>
	<item>
		<title>Wedemeir &amp; answer</title>
		<description><![CDATA[The ensuing discussion in the &#8220;Section Newsletter&#8221;, stimulated by the article &#8220;No more tone-angles?&#8221;, with my answering article. > Download PDF: Wedemeir &#038; answer]]></description>
		<link>http://www.alansnotes.co.uk/?p=12</link>
			</item>
</channel>
</rss>
