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		<title>‹Etwas kann nicht sein. Und trotzdem ist es so› Jenseits des Mordes an Gonzago</title>
		<link>http://www.alansnotes.co.uk/etwas-kann-nicht-sein-und-trotzdem-ist-es-so-jenseits-des-mordes-an-gonzago/</link>
		<comments>http://www.alansnotes.co.uk/etwas-kann-nicht-sein-und-trotzdem-ist-es-so-jenseits-des-mordes-an-gonzago/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 07:51:25 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Deutsch]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=189</guid>
		<description><![CDATA[Alan Stott – UK

Zusammenfassung:

Das neue Jahrhundert kann bereits auf einige herausragende und kontroverse Ergebnisse der Shakespeare-Forschung zurückblicken, deren Anerkennung noch aussteht. Diese neueren Entdeckungen und Schlussfolgerungen fordern dazu auf, sowohl die Frage nach dem Verfasser des Shakespeare’schen Werkkanons, als auch diejenige nach der Quelle seiner Inspiration neu zu stellen. Dieser Aufsatz fasst die neuesten Forschungen (Anderson, Stritmatter, Whittemore, Beauclerk) zusammen, diskutiert die Auffassung von Dichtern und schöpferisch tätigen Autoren, die auch als Literaturkritiker immer noch Dichter bleiben (Blake, Keats, James Joyce, Charles Williams, Ted Hughes), und greift zwei Einsichten Rudolf Steiners bezüglich der Figur des Hamlet und der Rolle König James I auf.]]></description>
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		<title>“Something cannot be. Only it is”: Beyond the Murder of Gonzago</title>
		<link>http://www.alansnotes.co.uk/something-cannot-be-only-it-is-beyond-the-murder-of-gonzago-2/</link>
		<comments>http://www.alansnotes.co.uk/something-cannot-be-only-it-is-beyond-the-murder-of-gonzago-2/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 07:39:22 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=181</guid>
		<description><![CDATA[Alan Stott – Stourbridge, U.K.

Abstract:

The new century has seen some outstanding controversial research in Shakespearean studies. These current discoveries and inferences now invite a reconsideration of both authorship and inspiration. This paper summarises the latest research (Anderson, Stritmatter, Whittemore, Beauclerk), discusses the perceptions of poets and creative writers, who do not cease to be poets when writing criticism (Blake, Keats, James Joyce, Charles Williams, Ted Hughes) and follows up two insights of Rudolf Steiner on the authorship question concerning the figure of Hamlet and the role of James I.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Music for &#8220;A Midsummer Night&#8217;s Dream&#8221;</title>
		<link>http://www.alansnotes.co.uk/music-for-a-midsummer-nights-dream/</link>
		<comments>http://www.alansnotes.co.uk/music-for-a-midsummer-nights-dream/#comments</comments>
		<pubDate>Sun, 19 Jun 2011 17:37:05 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=147</guid>
		<description><![CDATA[Music for &#8220;A Midsummer Night&#8217;s Dream&#8221;—William Shakespeare Act 2 scene 2 FAIRIES sing. FIRST FAIRY You spotted snakes with double tongue, Thorny hedgehogs, be not seen; Newts and blind-worms, do no wrong, Come not near our fairy queen. CHORUS Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby, lulla, lulla, lullaby: Never harm, [...]]]></description>
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		<title>&#8220;Something cannot be. Only it is&#8221;: Beyond the Murder of Gonzago</title>
		<link>http://www.alansnotes.co.uk/something-cannot-be-only-it-is-beyond-the-murder-of-gonzago/</link>
		<comments>http://www.alansnotes.co.uk/something-cannot-be-only-it-is-beyond-the-murder-of-gonzago/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 11:47:46 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Essay]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=100</guid>
		<description><![CDATA[&#160; “Something cannot be. Only it is”: Beyond the Murder of Gonzago &#160; Alan Stott – Stourbridge, U.K. Abstract: The new century has seen some outstanding controversial research in Shakespearean studies. These current discoveries and inferences now invite a reconsideration of both authorship and inspiration. This paper summarises the latest research (Anderson, Stritmatter, Whittemore, Beauclerk), [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“Right balance between heaven and earth”</title>
		<link>http://www.alansnotes.co.uk/%e2%80%9cright-balance-between-heaven-and-earth%e2%80%9d/</link>
		<comments>http://www.alansnotes.co.uk/%e2%80%9cright-balance-between-heaven-and-earth%e2%80%9d/#comments</comments>
		<pubDate>Mon, 06 Jun 2011 04:24:24 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Eurythmy]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=62</guid>
		<description><![CDATA[“Right balance between heaven and earth”:&#160; A Practical Inner Path for Musical Artists Alan Stott, Stourbridge—U.K. A text may be read for the information it contains – the “what”. To appreciate process and form, however, questions need to be asked, such as “how?” and “when?”, particularly a text on music, one of the time-arts. Precisely [...]]]></description>
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		<title>Round pegs&#8230;? Debussy &amp; Eurythmy</title>
		<link>http://www.alansnotes.co.uk/round-pegs-debussy-eurythmy/</link>
		<comments>http://www.alansnotes.co.uk/round-pegs-debussy-eurythmy/#comments</comments>
		<pubDate>Thu, 12 May 2011 19:06:23 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Debussy]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Eurythmy]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=50</guid>
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		<title>Book Review: Sylvia Eckersley. Number &amp; Geometry in Shakespeare&#8217;s Macbeth</title>
		<link>http://www.alansnotes.co.uk/book-review-sylvia-eckersley-number-geometry-in-shakespeares-macbeth/</link>
		<comments>http://www.alansnotes.co.uk/book-review-sylvia-eckersley-number-geometry-in-shakespeares-macbeth/#comments</comments>
		<pubDate>Tue, 28 Aug 2007 04:21:13 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=24</guid>
		<description><![CDATA[Sylvia Eckersley, ed. Alan Thewless. Number and Geometry in Shakespeare&#8217;s Macbeth: the Flower and the Serpent. 7 appendices. Numbered First-Folio text of Macbeth. 8 plates. 43 figs. 346 pp. Floris Books. Edinburgh 2007. ISBN 978-086315-592-5. R.r.p. £20. The post-boxes in Greece are labelled with words looking like &#8220;esoteric&#8221; and &#8220;exoteric&#8221; – our &#8220;inland&#8221; and &#8220;abroad&#8221;. [...]]]></description>
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		<item>
		<title>Shakespeare</title>
		<link>http://www.alansnotes.co.uk/shakespeare/</link>
		<comments>http://www.alansnotes.co.uk/shakespeare/#comments</comments>
		<pubDate>Sat, 28 Jul 2007 18:08:53 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Essay]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=22</guid>
		<description><![CDATA[First, there is an increasing awareness of the authorship question, and second, abundant cumulative evidence to suggest who held the pen. What did Steiner actually say? Did he leave a clue, to be read when the time was right? This article was published simultaneously in two Journals: in the U.S.A., and in Europe. &#62; Download [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Reviews</title>
		<link>http://www.alansnotes.co.uk/reviews/</link>
		<comments>http://www.alansnotes.co.uk/reviews/#comments</comments>
		<pubDate>Sat, 28 Jul 2007 18:04:47 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Eurythmy]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=21</guid>
		<description><![CDATA[Reviews on my translations of and commentaries on Steiner&#8217;s two basic texts for eurythmists. &#62; Download PDF: Reviews]]></description>
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		</item>
		<item>
		<title>The Philosophy of Freedom</title>
		<link>http://www.alansnotes.co.uk/the-philosophy/</link>
		<comments>http://www.alansnotes.co.uk/the-philosophy/#comments</comments>
		<pubDate>Sat, 28 Jul 2007 18:04:01 +0000</pubDate>
		<dc:creator>Alan Stott</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Rudolf Steiner]]></category>

		<guid isPermaLink="false">http://www.alansnotes.co.uk/?p=20</guid>
		<description><![CDATA[The seven-sentence rhythm of love in R. Steiner&#8217;s &#8220;The Philosophy of Freedom&#8221;. Actually, it is there in all his basic written work, and there are no doubt several other rhythms. These observations of the author&#8217;s exact artistic technique, to me suggest further research into evidence from other scientific and artistic disciplines. &#62; Download PDF: The [...]]]></description>
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